Play Along Piano

Uploaders

edward.maurath

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

HWV1A3N44 "Hoffe nur der rechten Zeit" (choral fragment)

edward.maurath

0:40	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	13	3	5	100%
	12	10	2	5	92%
Organ	12	13	3	5	100%
	12	10	2	5	92%
Soprano	8	1	1	5	77%
Bassoon	9	0	0	5	75%
	9	0	0	5	75%
Celli	7	0	0	5	75%
Kontrebaß	7	0	0	5	75%
Tenor	8	0	3	5	70%
Bass	9	0	0	5	67%
Viole	3	0	0	5	67%
Violini	12	0	2	5	67%
Oboe	9	0	2	5	55%

HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)

edward.maurath

0:49	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	14	9	2	100%
	9	2	1	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	14	9	2	100%
	9	2	1	3	100%
Alto	10	0	4	3	100%
Violoncello	6	0	1	3	100%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

HWV8A0N13 - La speme, e cura (Erato)

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	7	4	3	100%
	7	1	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	7	4	3	100%
	7	1	1	2	100%
Erato	7	0	2	3	100%
Violoncello	7	1	1	2	100%

HWV8A0N2 - Melodiosa Germana (Apollo) recitativo secco

edward.maurath

0:42	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
Vcl	7	0	1	2	100%
Apollo	10	0	3	3	89%

BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major

edward.maurath

1:36	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	12	7	2	4	100%
	16	1	5	5	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	12	7	2	4	100%
	16	1	5	5	100%
Organo Continuo	10	2	1	5	100%
	16	0	5	5	100%
Alti	10	0	1	5	100%
Bassi	16	0	5	5	100%
Bassono Grosso Continuo	16	0	5	5	100%
Bassoon Continuo	16	0	5	5	100%
Contrabassi Continuo	16	0	5	5	100%
Flauto Traverso	7	0	0	5	100%
Oboe	7	0	0	5	100%
Soprani	7	0	0	5	100%
Tenori	9	0	2	4	100%
Viola	10	0	1	5	100%
Violin 1	7	0	0	5	100%
Violin 2	10	0	1	5	100%
Violoncelli Continuo	16	0	5	5	100%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

HWV 8-B Terpsicore GIGUE

edward.maurath

2:01	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	25	3	8	100%
	11	1	1	6	96%
Violas	11	0	1	6	100%
Violins 1	17	0	1	7	100%
Violins 2	14	0	3	7	100%
Continuo	11	0	1	6	96%
Contrabass	11	0	1	6	96%

HWV17A3N19 - Recitative, "Quì Curio vincitor"

edward.maurath

2:44	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
	19	26	7	5	51%
Cesare	12	0	4	5	45%
Harp	17	20	6	6	42%
	15	16	5	5	44%
Sesto	9	0	4	3	22%
Cornelia	11	0	3	3	18%
Nireno	7	0	0	3	14%
Cleopatra	7	0	2	4	10%
Lute	5	1	1	2	4%
	12	3	5	2	6%

Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)

edward.maurath

2:17	Est. Play Time
64	Measures
	1,288Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord Continuo	15	3	1	3	100%
	15	5	1	3	100%
Bassoon (Violas)	12	0	1	5	100%
Bassoon Continuo	15	0	1	2	100%
Contrabasses Continuo	15	0	1	2	100%
Oboe 1	15	7	3	6	100%
Oboe 2	15	0	3	5	100%
Violas	12	0	1	5	100%
Violins 1	15	7	3	6	100%
Violins 2	15	0	3	5	100%
Violoncellos Continuo	15	0	1	2	100%
Horn A	9	18	0	5	69%
Horn D	9	18	2	5	69%
Basses	12	1	1	4	41%
CONTRALTOS	11	0	2	3	41%
Sopranos	9	2	2	6	41%
Tenors	9	5	1	3	41%